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Thema: Starke weibliche Figuren

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  1. #3
    Ich wage zu behaupten, dass in meinem Contest-Projekt "To Be A Hero" die weiblichen Charaktere tatsächlich die stärkeren und wichtigeren Figuren sind.
    Wenn ich die Fragen betrachte (im Hinblick auf den Charakter von Kathrine):
    Zitat Zitat
    1. After being introduced, does your Strong Female Character then fail to do anything fundamentally significant to the outcome of the plot? Anything at all?
    Nein.

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    2. If she does accomplish something plot-significant, is it primarily getting raped, beaten, or killed to motivate a male hero? Or deciding to have sex with/not have sex with/agreeing to date/deciding to break up with a male hero? Or nagging a male hero into growing up, or nagging him to stop being so heroic? Basically, does she only exist to service the male hero’s needs, development, or motivations?
    Nein.

    Zitat Zitat
    3. Could your Strong Female Character be seamlessly replaced with a floor lamp with some useful information written on it to help a male hero?
    Nein.

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    4. Is a fundamental point of your plot that your Strong Female Character is the strongest, smartest, meanest, toughest, or most experienced character in the story—until the protagonist arrives?
    Nein.

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    5. …or worse, does he enter the story as a bumbling fuck-up, but spend the whole movie rapidly evolving past her, while she stays entirely static, and even cheers him on? Does your Strong Female Character exist primarily so the protagonist can impress her?
    Nein.

    Zitat Zitat
    6. It’s nice if she’s hyper-cool, but does she only start off that way so a male hero will look even cooler by comparison when he rescues or surpasses her?
    Nein.

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    7. Is she so strong and capable that she’s never needed rescuing before now, but once the plot kicks into gear, she’s suddenly captured or threatened by the villain, and needs the hero’s intervention? Is breaking down her pride a fundamental part of the story?
    Nein.

    Zitat Zitat
    8. Does she disappear entirely for the second half/third act of the film, for any reason other than because she’s doing something significant to the plot (besides being a hostage, or dying)?
    Nein. (Ich verstehe allerdings den Sinn dieser Frage nicht so ganz, weshalb sollte ein Charakter ohne einen Grund verschwinden?)


    Ich hatte bisher in allen meinen Projekten, soweit ich es beurteilen kann, entweder starke weibliche Figuren, oder überhaupt keine Plot-Relevanten Charaktere (Rogue-Like, etc).

    Geändert von Cornix (20.07.2014 um 16:07 Uhr)

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