Genga & Douga

[jensmannn]

Alsoo... es geht darum, dass ich ein Referat halte, über das Thema wie ein Anime gemacht wird. Und da bin ich auf die Douga und Genga gestoßen.

Nach langem suchen nach einem Unterschied zwischen den beiden Cels, habe ich immer noch keine gefunden und wollte deswegen fragen, ob das hier jemand vielleicht weiß? Oder gibt es da im Prinzip keinen Unterschied?

-Chrissi (nur falsch eingeloggt >___>)

[Ianus]

Google Says:

Genga: http://www.db-unlimited.net/archive/genga.shtml

Douga: http://www.anime-link.com/miscgengadouga/

Animationen machen (Ghibli): http://www.nausicaa.net/miyazaki/mh/MakingOfMH/Part1.html

# Miyazaki draws his E-konte.
# Based upon his E-konte, photocopied at 201% enlargement, the animation directors and Miyazaki decide the layout of each cut. This work is comparable to that of cameramen [especially the Director of Photography] in conventional movie filming. Cameramen usually decide camera angles, movements, lens types, framing of the picture, etc.
# Background drawings are painted by the Art Department; the drawing of characters and their movements, as well as other moving objects, is done by the Animation Department. The Animation Department then draws two different types of pictures, Genga and Douga. A Genga sequence is a series of drawings of main movements, which represent the framework of a specific scene. When Miyazaki and the animation directors decide upon the number of drawings for an action, they also decide the length of that movement. A Douga sequence is a series of drawings "inbetween" each sheet of a Genga sequence, giving the effect of smoother motion in order to lend the feeling of "real" action to the film. Basically, animation is comparable to acting in conventional movie filming.
# A set of Genga and Douga sheets for each scene goes to the Clean-up Department, where they are completed.
# The completed Genga sets go to Miyazaki for his final check and completion. In this process, Miyazaki controls all aspects of the animation's movements under his direction.
# The Genga are transfered onto cels for coloring by the Color Department.
# The colored cels and background paintings are sent to the Photography Department, where they are combined into "cel setups," and photographed by a special camera in order to film the animation movie.


Für eine bessere Erklärung müsstest du das "Animator's Survival Kit" von Richard Williams konsultieren. Die Sache mit den verschiedenen Cells hat mir Spacing and Timing zu tun, scheint mir. Die Sache ist: Genga geben die Bewegung im Groben vor und die Douga sorgen dafür, dass diese weicher und realistischer werden indem sie zusätzliche Frames in eine Bewegung einfügen wo dies benötigt wird.
Ohne die Douga würden sich die Figuren Roboterhaft bewegen.